| Instrumentations for Some of the Pieces We’d Like to Play Sometime Also including pieces that are already in our repertoire. In other words, this is our “master list.” Want to add something to this list? Just tell me. |
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Parentheses around a number means the part (example: piccolo) can be played by one of the players of the “principal” instrument (same example: flute), doubling on the parenthesized part (i.e., no additional player needed). The number under Timp is the number of drums needed. If there are two numbers, the second is the number of players needed. Sometimes you’ll see just an “x” under Timp, Perc, or Harp; this happens because most catalogs simply list “Timpani,” “Percussion,” and “Harp,” if any are used, with no further details given, and I haven't managed to see a score yet. If there’s just a number under Perc, that means my information is coming from a book (Orchestral Music, by David Daniels) which lists the number of percussion PLAYERS theoretically needed; I’ve decided to use that number since it obviously imparts more information than just an “x.” If the piece is listed in the Daniels book AND I have information about the exact instruments needed, there will be a number, a slash, and the percussion abbreviations. The fact that I have found my information in a catalog or book but haven’t seen a score yet is also indicated by one asterisk after the name of the piece. Two asterisks after the name of the piece means I haven’t managed to see a score OR a reliable catalog or book yet, and much of the instrumentation information in general is unconfirmed. If the name of the piece appears in red, it means the piece is still under copyright protection and we have to pay ASCAP to play it. If the name is in black, we haven’t had the time to check out the date of the particular piece, but the composer definitely lived recently enough that the piece could be under protection. If the name is in green, it’s definitely NOT still under copyright protection — or we happen to know that the composer is not an ASCAP member. If there are two numbers under Tpt, the first is trumpets and the second is cornets. Percussion abbreviations: B=Orchestral (Tubular) Bells; BD=Bass Drum; BDC=Bass Drum with Cymbal Attached; C=Cymbal(s); Cl=Claves; FC=Finger Cymbal; FD=Field Drum; G=Gong; G(l)=Low Gong; G(h)=High Gong; Gl=Glockenspiel; Gu=Guiro; M=Marimba; PSD=Piccolo Snare Drum; R=Ratchet; RS=Rosewood Sticks; SB=Sleighbells; SC=Suspended Cymbal; SD=Snare (Side) Drum; SS=Slapstick; Sw=Switches; Ta=Tambourine; TD=Tenor Drum; Tr=Triangle; To=Tom-Tom; TT=Tam-Tam; TT(l)=Low Tam-Tam; TT(h)=High Tam-Tam; V=Vibes; WB=Wood Blocks; WC=Wind Chimes; WM=Wind Machine; X=Xylophone. “Other” abbreviations: B=Buccine (ancient Roman brass horns); Ce=Celeste; Ch=SATB chorus; E=Eb Clarinet; G=Guitar; H=Harmonium; KCh=Children’s chorus; M=Mandolin; P=Piano 2 hands; P4=Piano 4 hands; O=Organ; [[ ]]=non-SATB chorus; [ ]=Vocal soloists: S=Soprano; M=Mezzo; A=Alto; C=Contralto; T=Tenor; Bar=Baritone; B=Bass. Bach abbreviations: In column heads: Ob.d’A=Oboe d’Amore; Ob.d’C=Oboe d’Caccia; Hpsi=Harpsichord; [S], [A], [T], [B]=soloists; “Other” abbreviations: VdG=Viola da Gamba solo; L=Lute. Full string sections are always assumed unless otherwise noted. The following composers now have their own pages: Beethoven Brahms Mahler Mozart |
| Arriaga | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Esclavos felices Ov | 8 | 2 | 2 | 2 | 2 | 2 | 2 | ||||||||||
| Sym in D | 23 | 2 | 2 | 2 | 2 | 2 | 2 | 2 |
| Avshalomov, David | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Elegy | 9 | For string orchestra only. | |||||||||||||||
| Dickinson songs | 20 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 4 | 3 | 3* | 1 | 4 | 4† | 1 | Ce,‡ | |
| *Bass Tbn needs Eb trigger. †2 must play mallets: Gl,V,X,SD,PSD,BD,3SC(£),C**,2G,TT,Tr,Ta,R,SS or WB. ‡Contrabasses need C extension; optional piano (one note). £One a high Splash Cymbal. **One note, can use SC in pinch. |
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| Bach | Time | Flute | Oboe | Ob.d’A | Ob.d’C | Bsn | Horn | Tpt | Timp | Organ | [S] | [A] | [T] | [B] | Ch | Other |
| B-minor Mass | 110 | 2 | 3 | (2) | 2 | 1 | 3 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | ||
| Christmas Oratorio | 140 | 2 | 2 | (2) | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | |||
| St Matthew Passion | 131 | 4 | 4 | (4) | (4) | 3 | 2 | 1 | 4 | 2 | 3 | 7 | 2 | VdG | ||
| St John Passion | 134 | 2 | 2 | 1 | 2 | 1 | 3 | 2 | 1 | 2 | 1 | 3 | 3 | 1 | VdG,L |
| Barber | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| School for Scandal Ov | 8 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 4 | 3 | 3 | 1 | x | 3/Tr,BD,C,Gl | 1 | Ce |
| Beethoven | The Beethoven section has gotten so big that he now has his own page. Click here. |
| Berg | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Violin Cto | 27 | (2) | 2 | 2 | (1) | 3 | 1 | 2 | 1 | 4 | 2 | 2 | 1 | 4 | BD,C,SD,TT(l),G(h),Tr | 1 | (ASax) |
| 7 Early Songs* | 18 | (1) | 2 | 2 | (1) | 3 | (1) | 3 | (1) | 4 | 1 | 2 | x | 1 | 1 | [S] |
| Berlioz | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Roman Carnival Ov | 8 | (1) | 2 | 2 | (1) | 2 | 2 | 4 | 2/2 | 3 | 2 | 4/C,2Ta,Tr | |||||
| Benvenuto Cellini Ov | 11 | (1) | 2 | 2 | 2 | (1) | 2 | 4 | 4/2 | 3 | 1 | 3/2 | 3/Tr,BD,C |
| Bloch | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Cto Grosso No 1 | 24 | For string orchestra and piano only. | |||||||||||||||
| Suite Hébraïque | 12 | 2 | 2 | 2 | 2 | 4 | 3 | 3 | 2/SD,TT,C | 1 | |||||||
| Brahms | The Brahms section has gotten so big that he now has his own page. Click here. |
| Bruch | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Violin Cto 1 | 24 | 2 | 2 | 2 | 2 | 4 | 2 | 2 |
| Chausson | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Sym in Bb, Op. 20* | 32 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 4 | 4 | 3 | 1 | x | 2 |
| Conus | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Violin Cto* | 23 | 3 | 2 | 2 | 2 | 4 | 2 | 3 | X |
| Delius | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Florida Suite** | 38 |
| Dukas | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Sorcerer’s Apprentice | 12 | 1 | 2 | 2 | 2 | 1 | 3 | 1 | 4 | 2/2 | 3 | 3 | 4/C,Tr,BD,Gl | 1 |
| Dvorak | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Carnival Ov | 9 | 1 | 2 | 2 | 1 | 2 | 2 | 4 | 2 | 3 | 1 | 2 | 3/C,Ta,Tr,SD | 1 | |||
| Sym 7 | 35 | 1 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | |||||||
| Sym 8 | 36 | (1) | 2 | 2 | (1) | 2 | 2 | 4 | 2 | 3 | 1 | 2 | |||||
| Sym 9 (New World) | 40 | 2 | 2 | 1 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 1/C,Tr | |||||
| Violin Cto | 32 | 2 | 2 | 2 | 2 | 4 | 2 | 2 | |||||||||
| Cello Cto | 39 | (1) | 2 | 2 | 2 | 2 | 3 | 2 | 3 | 1 | 3 | Tr |
| Elgar | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Cello Cto | 28 | (1) | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 |
| Glazunov | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Violin Cto | 20 | (1) | 3 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | 3/C,Tr,Gl | 1 |
| Glinka | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Russlan & Ludmilla Ov | 4 | 2 | 2 | 2 | 2 | 1 | 4 | 2 | 3 | 3 |
| Green, Edward | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Overture in G | 5 | 1 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 2 | 2* | |||||
| *M, Cl, SC, WB, Gl, Gu, FC, SD, BD, SS, FD. All this AND the timpani can be played by two players total. | |||||||||||||||||
| Music for Shakespeare |
20 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1* | ||||||||
| *BD, FD, SD, Cl, WC, WB, SC, Ta, FC. All this AND the timpani can be played by one player total. | |||||||||||||||||
| Tpt Cto in C | 13 | 1 | 2 | 1 | 1 | 2 | 2 | 1* | |||||||||
| *BD, To, SD, RS, WB, SC, FC, Gl. All this AND the timpani can be played by one player total. | |||||||||||||||||
| Humperdinck | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Hansel & Gretel Ov | 8 | 1 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 2/C,Ta,Tr |
| Khachaturian | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Sym 2* | 43 | (1) | 3 | 3 | (1) | 4 | 2 | 4 | 3 | 3 | 1 | x | 4 | 1 | (E),P | ||
| Spartacus Suite 1* | 26 | (1) | 3 | 3 | (1) | 3 | (1) | 2 | 4 | 4 | 3 | 1 | x | 5 | 1 | Ce,P | |
| Spartacus Suite 2* | 21 | (1) | 3 | 3 | (1) | 3 | (1) | 2 | 4 | 3 | 3 | 1 | x | 4 | 1 | P | |
| Spartacus Suite 3* | 16 | (1) | 3 | 3 | (1) | 3 | (1) | 2 | 4 | 3 | 3 | 1 | x | 5 | 1 | P | |
| Violin Cto | 35 | 1 | 2 | 2 | 1 | 2 | 2 | 4 | 3 | 3 | 1 | 2 | 3/Ta,C,SD,BD | 1 |
| Lehár | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Merry Widow Ov* | 3 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | C,Tr | |||||||
| Merry Widow Waltz** | 2 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | C,Tr |
| Mahler | The Mahler section has gotten so big that he now has his own page. Click here. |
| Mendelssohn | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Hebrides (Fingal’s Cave) Ov | 10 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | |||||||||
| Sym 3 (Scottish) | 36 | 2 | 2 | 2 | 2 | 4 | 2 | 2 | |||||||||
| Sym 4 (Italian) | 26 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | |||||||||
| Sym 5 (Reformation) | 28 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 3 | 2 | |||||||
| Violin Cto | 29 | 2 | 2 | 2 | 2 | 2 | 2 | 2 |
| Mozart | The Mozart section has gotten so big that he now has his own page. Click here. |
| Offenbach | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Orpheus in Underworld Ov | 9 | 1 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 2 | 1 |
| Rachmaninoff | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Piano Cto 1 | 26 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | Tr,Cym | |||||||
| Piano Cto 2 | 34 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 2/Cym,BD | ||||||
| Piano Cto 3 | 40 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 2/SD,Cym,BD | ||||||
| Piano Cto 4* | 29 | 1 | 2 | 2 | 1 | 2 | 2 | 4 | 2 | 3 | 1 | x | 5 |
| Respighi | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Pines of Rome |
20 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 4* | 3* | 4*† | 3 | 5** | 1 | Ce,P,O,6B* | |
| *Buccine parts can be played on 2 each trumpets, horns, and trombones in addition to what’s listed here. †4th orchestral trombone part can be played by tuba. **Tape player playing a specific tape of nightingale songs; Tr, C, 2 small C, Ta, BD, TT, R, B. |
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| Fountains of Rome |
16 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 4 | 3 | 3 | 1 | 4 | 2/Tr,C,Gl,B | 2 | Ce,P,O | |
| Roman Festivals |
24 | (1) | 3 | 2 | 1 | 3* | 1 | 2 | 1 | 4 | 4 | 3 | 1 | 4 | 9** | P,P4,O,M,3B | |
| *One is a D clarinet **Ta, R, SB, SD, TD, BD, Tr, C, TT, Gl, B, X, WB. | |||||||||||||||||
| Saint-Saëns | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Cello Cto 1 | 18 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | |||||||||
| Violin Cto 3* | 29 | (1) | 2 | 2 | 2 | 2 | 2 | 2 | 3 | x |
| Schönberg | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Chamber Sym 1 | 20 | 1 | 1 | 1 | 2* | 1 | 1 | 1 | 2 |   |   |   |   |   | ** | ||
| This is the original “Chamber” version (Op. 9, 1906). *One of these is full-time D/Eb Cl. **Only 5 string players (2 Vln, Vla, Vcl, CB). |
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| Chamber Sym 1* | 20 | (1) | 3 | 3 | (1) | 3* | (1) | 3 | (1) | 4 | 2 | 3 | |||||
| This is the full-orchestra version (Op. 9b, 1935). *One of these doubles Eb. | |||||||||||||||||
| Chamber Sym 2 | 17 | (1) | 2 | 2 | (1) | 2 | 2 | 2 | 2 | ||||||||
| Gurre-Lieder* | 99 | (4) | 8 | 5 | (2) | 7* | (2) | 5 | (2) | 10** | 7*** | 7 | 1 | x | **** | 4 | ***** |
| *2 of these also double Eb. **7th-10th also double Wagner tuba. ***Including 1 bass trumpet. ****6 players, 11 instruments. *****Ce; 3x[[4-part male]], 1x[[8-part mixed]], [SATTB], Speaker. |
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| Schubert | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Sym 9 (Great C-Major) |
48-61* | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | ||||||||
| *Without/with repeats, one assumes. Daniels says 48; I have a couple of recordings that are in the 60-61 range. | |||||||||||||||||
| Schumann | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Sym 1 | 34 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 3 | Tr | |||||||
| Sym 2 | 37 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | ||||||||
| Sym 3 | 33 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | ||||||||
| Sym 4 | 28 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | ||||||||
| Piano Cto | 31 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | |||||||||
| Cello Cto | 22 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | |||||||||
| Concertstück for 4 Horns* |
21 | 1 | 2 | 2 | 2 | 2 | 2* | 2 | 3 | x | |||||||
| *That’s 2 in the orchestra, in addition to the 4 soloists. | |||||||||||||||||
| Shostakovich | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Festive Ov* | 7 | 1 | 2 | 3 | 3 | 2 | 1 | 4 | 3 | 3 | 1 | x | 4 | ||||
| Sym 5* | 44 | 1 | 2 | 2 | 2 | 2 | 1 | 4 | 3 | 3 | 1 | x | 4 | 2 | E |
| Sibelius | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Violin Cto | 34 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | ||||||||
| Swan of Tuonela* | 9 | 1 | 1 | 1 | 2 | 4 | 3 | x | 1 | 1 | |||||||
| Sym 1 | 39 | (2) | 2 | 2 | 2 | 2 | 4 | 3 | 3 | 1 | 3 | 2/BD,C,Tr | 1 | ||||
| Sym 2 | 41 | 2 | 2 | 2 | 2 | 4 | 3 | 3 | 1 | 2 | |||||||
| Sym 3 | 29 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | x | ||||||||
| Sym 4 | 34 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | x | 1 | |||||||
| Sym 5 | 30 | 2 | 2 | 2 | 2 | 4 | 3 | 3 | 3 | ||||||||
| Sym 6* | 24 | 2 | 2 | 2 | 1 | 2 | 4 | 3 | 3 | x | 1 | ||||||
| Sym 7* | 21 | (2) | 2 | 2 | 2 | 2 | 4 | 3 | 3 | x |
| Skolnik, Walter | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Serenade for Cello |
14 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | * | |||||||
| *3 players: SD,BD,C,Ta,Tr,Gl,TT | |||||||||||||||||
| Smetana | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Bartered Bride Ov | 5 | 1 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 |
| Strauss, R. | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Metamorphosen* | 28 | For 23 solo strings: 10 violins, 5 violas, 5 cellos, 3 basses | |||||||||||||||
| Horn Cto 1* | 16 | 2 | 2 | 2 | 2 | 2 | 2 | x | |||||||||
| Don Quixote | 41 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 1 | 6 | 3 | 3 | 1 | * | 2/** | 1 | *** |
| *Looks like at least 4 drums. **BD,C,WM,Ta,Gl,Tr. ***Eb clar, tenor tuba, plus of course the solo violin, viola, and cello |
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| Don Juan* | 17 | (1) | 3 | 2 | 1 | 2 | 2 | 1 | 4 | 3 | 3 | 1 | x | 3 | 1 | ||
| Rosenkavalier Suite* |
20 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 4 | 3 | 3 | 1 | x | 5 | 1 | E,Ce |
| Suppé | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Morn,Noon,Nt/Vienna | 9 | (1) | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 3 | 2/SD,BD | ||||||
| Light Cavalry | 8 | (1) | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 3/SD,BD+C,Ta | |||||||
| Pique Dame* | 8 | (1) | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | x | 4 | |||||
| Beautiful Galatea | 8 | (1) | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 2 | 2/SD,BD,Tr | ||||||
| Jolly Robbers* | 7 | (1) | 2 | 2 | 2 | 2 | 4 | 2 | 3 | x | 2 | G | |||||
| Poet and Peasant | 10 | (1) | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 1/BD+C | 1 |
| Tchaikovsky | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Sym 4 | 43 | 1 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 3/Tr,BD,C | |||||
| Sym 5 | 49 | (1) | 3 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | ||||||
| Sym 6 | 47 | (1) | 3 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 2/C,BD,TT | |||||
| Romeo & Juliet Ov | 19 | 1 | 2 | 2 | 1 | 2 | 2 | 4 | 2 | 3 | 1 | 3 | 2/C,BD | 1 | |||
| Capriccio Italien | 16 | (1) | 3 | 2 | 1 | 2 | 2 | 4 | 2/2 | 3 | 1 | 3 | 4/Gl,Tr,Ta,BD,C | 1 | |||
| Violin Cto | 32 | 2 | 2 | 2 | 2 | 4 | 2 | 2 | |||||||||
| Rococo Variations | 17 | 2 | 2 | 2 | 2 | 2 | |||||||||||
| Piano Cto 1 | 32 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 3 |
| Vaughan Williams | Time | Instrumentation |
| Thomas Tallis Fantasia | 14 | Double string orchestra plus string soloists only. Orchestra II is 2-2-2-2-1. |
| Verdi | Time | Picc | Flute | Oboe | EH | Clar | BCl | Bsn | Contra | Horn | Tpt | Tbn | Tuba | Timp | Perc | Harp | Other |
| Forza del Destino Ov | 8 | 1 | 1 | 2 | 2 | 2 | 4 | 2 | 3 | 1 | 2 | BD | 2 | ||||
| Requiem* | 97 | (1) | 3 | 2 | 2 |